Thursday, December 22, 2011

Dust wins the Governor General's Award (a decade ago)

Recently, I was going through a few old VHS tapes and I—what why are you interrupting me? Oh, what's VHS you ask? It's the video recording format that conquered Beta—what's Beta you ask...ah, just Google it. Anyway, I discovered a dusty tape of the award ceremony for the Governor General's awards in 2001. My novel Dust won the award for Children's Literature that year and that meant a trip to Rideau Hall in Ottawa to see the Governor General and attend an extremely fancy ceremony (Oh, and pick up a cheque for $15,000.00). Money, free food and a mini-holiday! It's every author's dream. Here's the video:


Oh, wait! I wish I was at that ceremony! Actually, the Governor General's ceremony is the closest I'll ever come to getting a medal from Princess Leia. Here is the actual video. The two hour ceremony has been edited down to 5 minutes (in other words I cut everyone else's presentation out).



This is still the highlight of my career. Ten years later I'm surprised that all of this happened and that Dust received so much attention. When I finished writing the book I remember wondering who would want to read a slow-building, dark fantasy? 

Ten years! I'm a little grayer and waiting for that wisdom that is supposed to come with age.

Art

Thursday, December 15, 2011

A Mini-Ebook Sales Update: November

No major news this month on the ebook front. But I do have an amazingly interesting graph:
Okay, it's just a graph. I apologize for calling it amazingly interesting! As you can see after the big "sale-apalooza" in September (1467 copies) sales have levelled out to 493 in October and 586 in November (actually my second highest sales month now). So sales are beginning to trend upwards, though part of this is due to the fact that Tribes was "free" on Amazon last month and that brought the sales of other books up (and the sales of Tribes rose once it went from free to paid status). What's interesting to me is the colour of the November column. Psychedelic, eh? Well, actually I point it out because each colour represents a different book. A variety of my books are selling consistently now, which is a good thing (the blue colour represents DUST which is still by far my bestselling book). And my monthly income will be just over $800.00. Hey, that's a mortgage payment!

If only I had 1000 books on offer. I'd be a millionaire!*


*Actually I did the math. If my 9 books make me 800 dollars a month then 1000 books only make me 88, 888 dollars a month. Hmmph. What a rip off. I can't even buy a jumbo jet with that...


Wednesday, December 14, 2011

This Dark Endeavour: Interview with Kenneth Oppel


Ladies, non-ladies, gents and non-gents, 

Herewith is my interview with Kenneth Oppel. It previously appeared on the brilliant Cynsations blog.


Kenneth Oppel's first novel Colin's Fantastic Video Adventure was published when he was seventeen and he hasn't slowed down one iota since. He is the author of the Silverwing series (which has sold over a million copies), the Airborn series (winner of the Governor General's Award for Children's Literature and the Michael L. Printz Honor Book award), and the highly acclaimed Half Brother. He lives in Toronto, Canada.

A: Congrats on the release of This Dark Endeavor: The Apprenticeship of Victor Frankenstein. The idea of doing a prequel to Mary Shelley's Frankenstein is very inspired and I'm certain there are many authors shouting, "why didn't I think of that?" Has anyone accused you of stealing their idea?
 
K: Amazingly, no, especially since there have been plenty of other classics rebooted with young heroes lately. You yourself may be familiar with the fabulous Hunchback series; there’s also young Sherlock Homes, young James Bond, among others. But Frankenstein was still unclaimed! I was making a presentation to a group of booksellers in the US a few months ago, and someone in the audience asked me if I was planning on ripping off any other literary classics. She didn’t actually say “ripping off” but you get the idea. I said I didn’t have any immediate plans, but asked if she had any suggestions. “Moby Dick,” she said, “focusing on Captain Ahab.” It’s not a bad idea. But I don’t think I’ll take the bait.
 
A: Hmm. Steampunked Moby Dick! Just let me write that down...anyway, back to the interview. Can you pinpoint when you first had that aha moment?
 
K: I love Mary Shelley’s Frankenstein. I’d just re-read it a couple of years ago, and the mentions of his childhood were brief but evocative. There were mentions of seeking out the Elixir of Life, raising ghosts and demons – you know, pretty typical teenaged stuff, right up there with rep soccer and hot yoga. But I saw these things as the seeds of possible gothic adventure stories. I spent a lot of time wondering about what might happen on such adventures, and what would motivate them in a powerful way. I sat on the idea for quite a while, almost a full year, before I shared it with my agent and approached publishers, because I wanted to make sure the idea was well formed; I really didn’t want it to be seen as a gratuitous attempt to cash in on the Frankenstein myth.
 
A: Did you channel Mary Shelley while you were writing? By that I mean did you want to imitate the style of the original book? Shelley's Frankenstein is a rather slow and dreamy novel at times, yet you manage to keep that dreaminess but also the plot moves along at a good clip. 
 
K: I’m a pretty good mimic, so yes, I did try to capture the linguistic flavour of the original, but without making it inaccessible to contemporary readers. I quite enjoy the richness of period fiction, so the language in Dark Endeavor might be a little more formal, but I made sure it’s effortless to read. I read all my books aloud during the writing/editing process, and if the prose sounds too constipated, or unnatural, or the pace is slack, I know about it, and change it. The book combines gothic adventure and horror and romance, and I wanted it to belt along. I’m not sure I could write a book that didn’t have a fairly powerful plot as its internal combustion engine.
 
A: How much leeway did you give yourself to play around with the backstory from the original novel?
 
K: Well, once I invented a twin brother for Victor, I was making a pretty clean break from the world of the original. I like to think of it as an alternative backstory to the Frankenstein myth. A search for the elixir of life is a great idea for an adventure, but I thought it would be even more powerful, and personal, if Victor needed the elixir to heal someone he loved. It could’ve been any family member, but I decided a brother – a twin! – would have the richest emotional possibilities. As for the cast of characters, I made the love interest, Elizabeth Lavenza a distant relation (as opposed to first cousin). Their best friend Henry Clerval was transformed into a slightly comic Woody Allen-like character who’s riddled with phobias and fears, making him the least likely person to enjoy a Frankenstein-style banquet of horror. Victor’s parents I actually based on Mary Shelley’s real parents, the radical writers William Godwin and Mary Wollestonecraft, so my Frankenstein household is very liberal for its time. Mrs. Frankenstein writes pamphlets on the rights and education of women; Mr Frankenstein is a fair magistrate who insists on his own family making the servants their Sunday dinner as a gesture of egalitarianism (a concept that was sweeping through Europe in the late 1700’s). And my Victor himself certainly shares traits of both Percy Shelley and Lord Byron (as did Mary Shelley’s Victor)..So I tried to work in lots of insider Frankenstein information.
 
A: Giving Victor Frankenstein a twin certainly upped the "interest" factor of the novel. The fact is, I liked "steady" Konrad more than the "impetuous" Victor, the narrator of the story. And yet, I was somehow cheering for Victor, too. Was that your intention?
 
K: Anti-heroes can be incredibly charismatic and exciting. I’m not sure I’d go so far as to call Victor an anti-hero. He has some dislikeable traits, but he’s never truly wicked (not in this first book anyway). You cheer for Victor, I think, because he has so much life and drive and passion in him; and you never forget he loves his brother, even though he’s ragingly jealous of him, and wants to steal his girlfriend. So yes, I wanted Victor to be complicated – but that makes him a much more interesting character I think.
 
A: It must have been rather exciting to have the book optioned before it was published. What was the process for that?
 
K: It was very exciting. My literary agent Steven Malk thought the book had strong movie potential, and showed the manuscript to an amazing pair of agents in Hollywood, Nick Harris and Josie Freedman at ICM, who specialise in book-to-film rights. They really liked it, and sent it out to a dozen top producers and within a couple days we had three offers from major studios. This doesn’t happen often. I know. I used to write screenplays, and I’ve had many books and scripts optioned over the years and usually you’re lucky if you get one offer amidst the tsunami of “passes”. Our decision was pretty easy: we sold the rights to producer Karen Rosenfelt and Summit Entertainment, the producer and studio who made Twilight movies.
 
A: The book ties up the ending nicely, yet there is still room for a sequel. What's next for Victor? 
 
K: At the end of Book One, Victor promises himself he’ll unlock every secret law of the earth to achieve his goals – let’s just say he honours his promise.
 
A: You've gone from the rich "bat" fantasy world of the Silverwing series, to the post-Victorian atmosphere of the Airborn series, to the modern reality of Half Brother. And now Frankenstein. Where will you be taking us next?
 
K: Straight to hell, in the second instalment of the Apprenticeship of Victor Frankenstein. It’s called Such Wicked Intent, and should be published August 2012. After that, who knows. I’ve got a couple of ideas I’m very excited about and now that I’ve just finished revisions on Such Wicked Intent, I have the wonderful luxury of daydreaming them into existence.


Thanks for the interview, Ken.

I hereby request readers to visit his website at http://www.kennethoppel.ca/

Tuesday, December 13, 2011

Cover Contest: Island of Doom

Harpercollins Canada is having a "Cover" party on my Facebook page. Just click here and enter to win (alas, Canucks only). Contest closes real soon... You're welcome to "like" my page, too, if you're so inclined.

Here's a peek at the cover. It's the 4th and final book in the series:


And for extra fun, here's the concept sketch. It has its own charm.





Friday, December 09, 2011

Emily the Librarian


Recently a librarian named Emily Mitchell passed away. She's right there in the center of the picture. For many years she was the librarian at the Chinook Regional Library  branch in the village of Tompkins, SK, Canada (my hometown). By any measurement it's a small library, but it was made much larger by inter-library loan and by Emily's presence. She helped me become a reader and encouraged my imagination to grow. I have so many fond recollections of marching the six or so blocks from school to the Chinook Library downtown and perusing the shelves, looking for my next fantastical read. If I couldn't find it, she had suggestions. And, once I realized I could order books through inter-library loan, I would approach her with such varied topics as the Roman Empire, Medieval Torture Weapons, and Norse Myths. Despite my somewhat dark choices, she was always encouraging and supportive (she was like an early version of Google, I'd ask her a question and two weeks later the answer would appear in the form of books). The library was a warm place to retreat from the cold of winter or  just to get away from the outside world for a few minutes. She made it that way. Her lifelong gift to me was the love of stories and the encouragement to visit all those worlds of the imagination. Again and again.

Thanks, Emily.


Art